Lipstick Anyone?



Last night I grabbed my pathetic nub of lipstick left over from the summer months. The color was "Enigma." I smeared it on my lips, leashed up my unruly terrier, and went out the door for our evening walk. Damn it! I thought. Enigma is a pink. We are well into autumn. A bordeaux color would be more appropriate. Or better yet, a good fire red. Why did I care? It was late at night and no one would see me. This got me thinking about lipsticks....
"A painted face is a false face, a true falsehood, not a true face."


The Puritan Thomas Tuke wrote in 1616 in his "Discourse Against Painting and Tincturing". He condemned makeup for creating a "false face." Many young women would make rouges and lip tints from household products. Even home-made remedies to clear up blotchy patches on the skin.

Starting in the 1960s, some women blamed male-dominated consumer industries for manipulating women into buying beauty products. They have a point. On the one hand, we generally like to look good. We hate getting whistled at, but we also hate it when we’re not given the look over. On the other hand, don’t we actually feel better after we put a little color on our face?
Did we buy into the needs that advertisers falsely created? Are we that superficial? Do we really believe in the promises of the anti-aging creams?

It takes time to put on all those serums and creams and eye reduction potions. The act of beautifying ourselves is really a lot of work. It is time consuming, narcissistic and absorbing. And expensive. We have to read the labels, experiment with what works and what doesn’t, and even visit our dermatologists to get a prescription for something promising us more miracles.

Why do we wear make-up anyway?

History shows despite adversities in life such as war, economic depression and social change, we still desire to look good. For whom? Women in jail color their hair with Kool-Aid, Nair their brows and rub deodorant all over their feet to soften their heels. They don’t do this for their visitors. They do it for themselves.
Women have always been the pioneers of the cosmetics industry. Helena Rubinstein, Elizabeth Arden, Estee Lauder, Mary Kay Ash… these women did not launch their companies to manipulate women. Women knew what they were buying. It is the ritual, the array of colors, the mastery of skill, sharing of knowledge, and the tiny compacts we lie to keep in our handbags. The acceptance of wearing makeup was no fad, but a way in which women wanted to show themselves to the public.
Cosmetic use became popular in the 19th century but many saw it as a mark for a clandestine woman. Lip and cheek rouge were considered scandalous. Only prostitutes wore makeup. The proper woman was to bite her lips and pinch their cheeks before greeting company.

Manet's 'Nana' of 1877 -- the glorification of self-adornment. Chicly extending her little finger as if to sip tea as she applies her lip color. This painting is of an immoral woman showing her process of adornment.


By the turn of the century, make-up was still frowned upon anyone other than a woman of the night or a music-hall performer. Husbands could even divorce their wives for wearing it.

The suffragette movement struggled to win the vote. They also fought for the right to wear red lipstick as a symbol of feminine defiance.
Inez Milholland Boissevain leading the suffrage procession on her white horse.
Washington, D.C., March 3, 1913.


Women who used cosmetics were called rebellious, uncontrollable and dangerous. 1920s flappers were condemned by some for wearing heavy eyeliners and bright lip and cheek colors. Stylish women begin tweezing their eyebrows and wearing black around the eyes.
In the following decade, Hollywood inspired standards for beauty. Most women want to look like movie idols. If we look good, we feel better. Despite the Depression, lipstick remained very affordable.

In 1938, the cosmetic firm Volupté introduced two new lipstick shades. One was called "Lady" and the other "Hussy." "Lady" was marketed toward the quieter woman. It had a soft mat finish. Mademoiselle magazine explained that this one was for The kind who preferred lighter shades, "smart clothes and tiny strands of pearls." "Hussy" on the other hand was a darker shade, "with a gleaming lustre" and peddled to the woman who liked to be "just a little bit shocking."

"Hussy" outsold "Lady" five to one. The names of these lipstick colors evoke moods. They were not branding the type of female. Female identities were once fixed, set by class, family lineage and social etiquette. It was all about to change.


Rosie the Riveter


By WWII, red lipstick is seen as a symbol of patriotism. Women were encouraged to wear make-up as they worked male jobs. Women defied hardship and they took pride in their appearance.

With post-war optimism comes a renewed emphasis on the family. There was a shortage of men. Women were told to try to look as beautiful as possible to catch a husband.



The 1960s arrive and Elizabeth Taylor stars in Cleopatra, 'Swinging London' style come to full bloom, and Twiggy wears false eyelashes.




The women's liberation movement emerges. There is a backlash against the concept of adorning oneself to please men. Women denounce makeup. Bras are burned and shaving their legs stops.

It doesn’t last long. Super-glam arrives in the 1980s. Vanity and decadence are celebrated. Expertly applied make-up symbolizes the high-maintenance grooming of the wealthy wife. Men in hair bands start donning makeup as well.



We hated being objectified in this video.
But how many of us paused and thought.. "excellent lipstick shade."


Honestly, did anyone find this manly?


In the 1990s women became more interested in finding their own natural beauty enhancing it with lighter, less visible formulas. Nude lipstick, natural muted palettes.

Now in this decade, we are going beneath the skin. Botox, collagen, facial rejuvenation, bleaching creams, tattooing makeup…

Do we do this for our husbands, boyfriends, or the younger handsome neighbor we discretely watch behind the blinds mow his yard?

In 1936 Vogue magazine conducted a survey. Nearly 100 percent of male respondents disapproved of noticeable makeup. If you ask most men today, they will respond the same.

Red has a subliminal message. And we know this. It suggests sexual arousal. It inspires awe and fear. Just as men are concerned about size, we are concerned about our own control.